Carriacou-Born Artist Camille John Rises in Soca Music

Carriacou-born artist Camille John, known as Ms. Camille, is quickly becoming one of soca’s most promising new voices. Her breakout single “Mango” continues to gain momentum across the Caribbean diaspora, giving her a strong push into the 2026 soca season.

Carriacou-Born Artist Camille John: Early Breakthrough

At 26, Camille already stands out for her playful tone, sharp writing, and energetic delivery. “Mango,” which she wrote on her Brooklyn fire escape, has earned over 400,000 streams in just eight weeks. As a result, the single has become a favourite on brunch and road-trip playlists from Toronto to Tallahassee. Fans have even given her a new nickname: “the sweetest sound since nutmeg ice cream.”

A Self-Made Path to Soca

Long before “Mango,” Camille was building her career with determination. At 24, she executive-produced her debut single “Push Back,” handling studio time, visuals, editing, and promotion. She completed the entire project independently while nine months pregnant. This hands-on start shaped her signature blend of Brooklyn grit and Grenadian soul.

Her stage presence reflects that mix. She has performed at Spice Mas, Brooklyn J’Ouvert, sunrise fetes, and Grenada Football Association halftime shows. Each appearance brings high energy, jab-jab whistles, choreography, and warm crowd interaction, a combination her team describes as “energy that shakes the sand out of your sneakers.”

Rooted in Culture, Family, and Community

Despite her rising profile, Camille remains grounded. Her twin sister and young child inspire her daily, and her lyrics often reference familiar elements of Carriacou life; fishermen, church choirs, and local rhythms. She credits Alison Hinds and Beyoncé as major influences, yet her stories and sound remain uniquely her own.

Her passion for music began early. She started singing at three and writing lyrics at nine. Today, she gives back through free vocal workshops hosted every August under the same sea-grape tree where she practiced as a child. It is a full-circle tradition that keeps her connected to home while she continues to grow on the regional stage.